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Harvard. A. Piatt Andrew at his home “Red Roof”. Gloucester, MA. 1910

Abram Piatt Andrew taught monetary economics at Harvard before becoming a key player in the National Monetary Commission, Director  of the U.S. Mint, Assistant Secretary of the Treasury, founder of the American Field Service, and a Republican member of the United States Congress from 1921-36. Much more has been posted about him here at Economics in the Rear-View Mirror.

This post deals with his home and private life.

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This photograph features A. Piatt Andrew at his home in Gloucester, Massachusetts, before World War I began. Prior to founding the American Field Service during the war, Andrew served as an assistant professor of economics at Harvard, director of the U.S. Mint, and assistant secretary of the U.S. Treasury. “Red Roof,” as his home was called, was designed and built under Andrew’s direction in 1902. Red Roof contained secret rooms, one of which necessitated dismantling a sofa to access and contained a Prohibition-era wet bar and a player piano. Guests in the living room could therefore hear the music but didn’t know its source. Another secret room contained a dugout that was later filled with AFS artifacts from the war, including posters, AFS recruitment slides, shell fuses (a favorite souvenir of AFS Drivers), and trench art.

Andrew created elaborate entertainment for guests at Red Roof by organizing themed dinner parties, musical performances, and skits in full costume. Guests to Red Roof included interior decorator and longtime AFS supporter Henry Sleeper, the portrait painter John Singer Sargent, art collector and philanthropist Isabella Stewart Gardner, and Franklin Delano Roosevelt [May 2-4, 1903].

Source: Nicole Milano, “A. Piatt Andrew and Red Roof, 1910.” American Field Service Website.

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But wait, there’s more

A blog dealing exclusively (no kidding) with “A. Piatt Andrew and Red Roof“.

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Research tips:

At the Society for the Preservation of New England Antiquities (now called “Historic New England“) one can find “A. Piatt Andrew Guest Books, 1902-1930” among other items. These guest book pages have, in addition to the signatures, close to 700 photographs.  You can page through the pictures online (1902-1912) and (1913-1930).

At the Isabella Stewart Gardner Museum you will find online 249 items (photographs, correspondence from A. Piatt Andrew).

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Henry Davis Sleeper and
A. Piatt Andrew Jr.

Plot spoiler: They were more than friendly neighbours.

Source: A. Piatt Andrew’s The Red Roof Guestbook, 1914-1930. Available at the Historic New England Website.

 Sleeper’s frail constitution prevented him from participating in the rough-and-tumble games and amusements favored by Andrew and his young male friends, mostly Harvard undergraduates. [p. 90]

Mrs. Jack

Isabella Stewart Gardner (1840-1924) was a legend in her own time. Starting with the untimely death of her husband, John Lowell Gardner, in 1898, his widow, called Mrs. Jack, embarked on an ambitious program of art acquisition which culminated in the transformation of her fabulous Venetian-style palazzo, Fenway Court, into a beloved cultural institution. She accomplished this feat largely by relying on the skills, expertise and companionship of the coterie of attractive and talented homosexual men-mostly artists, collectors, and curators-that she gathered around her…. [p. 90]

Society Painter

By 1908 Mrs. Jack’s circle included the society painter John Singer Sargent (1856-1925). Born in Italy to American parents, Sargent had first come to Boston in 1887. After a solo exhibition in 1888 at the St. Botolph Club, he was commissioned in 1890 to design murals for the new Boston Public Library in Copley Square. Along with other commissions-for the Museum of Fine Arts and Harvard’s Widener Library-Sargent was almost fully occupied in Boston for the next twenty-five years. While circumspect about his private life, an album of male nudes that Sargent, a bachelor, kept for his own enjoyment offers insight into his predilections. [p. 91]

Seaside shenanigans

In the years preceding World War I, Isabella Stewart Gardner, John Singer Sargent, and others in their circle were drawn into the wealthy summer enclave at Eastern Point, Gloucester, where Harvard professor (later U.S. congressman) A. Piatt Andrew Jr. (1873-1936) and his neighbor, interior designer Henry Davis Sleeper (1878-1934), had homes. The letters from Sleeper to Andrew provide evidence of the intensity of his feelings.

Social life on Eastern Point revolved around ceaseless entertaining. One of Gardner’s biographers hints at the goings-on at Andrew’s home, Red Roof: “Gossip had it that often all the guests were men, their pastimes peculiar. Yet all the ladies on Eastern Point were fascinated by Piatt.” Portrait painter Cecilia Beaux (1863-1942) spent summers at her Gloucester home, Green Alley, where she enjoyed hosting evening gatherings of her neighbors. She never married. “Faithful in attendance were Harry Sleeper and Piatt Andrew, whose brilliancy of repartee has never been excelled” according to an observer. Concealment and ambiguity characterized the lives of many of the women and men who moved through this exclusive world of polite manners and material luxury. [p. 92]

Source: The History Project. Improper Bostonians: Lesbian and gay history from the Puritans to Playland. Boston: Beacon Press, 1998. [Note: you need to register at archive.org to access (borrow) the book for an hour at a time]

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October 6, 1910. A. Piatt Andrew and Isabella Stewart Gardner at “Red Roof”. Photo by Thomas E. Marr from the Isabella Stewart Gardner Museum. Cleaned and cropped by Economics in the Rear View Mirror

From Isabella Stewart Gardner’s biography

A. Piatt Andrew lived next door to Miss Davidge under his “Red Roof” – nearer the mainland than Miss Davidge and Miss Beaux, and with one more maiden lady beyond him….

Harry Sleeper, whom Mrs. Gardner already knew fairly well, lived just beyond. … Harry was sweet, gentle, affectionate. He was devoted to his mother, who protected him from the ladies when he feared they had designs on his celibacy. Still more was he the devoted slave to Piatt….

…A. Piatt Andrew had an organ installed in the passage between the living room and a recently added study. Here, Isabella sat on the couch (with a bearskin and two leopard skins on it) to listen to his music. She was probably unaware of a hidden space above the books – too low to stand up in but equipped with mattress and covers where some of Andrew’s guests could listen in still greater comfort. She had seen the Brittany bed in the living room but that there was a small hole over it, perhaps no one had told her. The sound of organ music could be heard the better through the hole – and was it just a coincidence that a person in the hidden alcove above could look down through it? Gossip had it that often all the guests were men, their pastimes peculiar. Yet all the ladies on Eastern Point were fascinated by Piatt and one especially keen observer thought that Miss Beaux was “sweet on him”.

When the fog lifted and the sun came out, the whole atmosphere at Red Roof changed. Gloucester harbor sparkled bright and blue. Isabella’s spirits lifted, macabre impressions vanished, and Isabella went out on a stone seat to be photographed with Piatt – or “A,” as she liked to call him, referring to herself as “Y,” amused to find herself at the opposite end of the alphabet.

Isabella wore a linen suit with leg o’mutton sleeves, long coat and wide gored skirt. She had on a toque with a black dotted veil over her face. Beside her, A. Piatt sat – head turned toward her, his handsome profile toward the camera.

A. Piatt Andrew had been chosen by President Eliot to work in Senator Aldrich’s monetary commission and he planned to go to Europe during the summer of 1908 to make preliminary studies. Mrs. Gardner told him to be sure to get in touch with Matthew Stewart Prichard – late of the Boston Art Museum. This Andrew did, Prichard showing him beautiful Greek and Roman coins which gave him ideas for new designs for American currency.

Source: Louise Hall Tharp, Mrs. Jack: A Biography of Isabella Stewart Gardner, Little, Brown and Company, 1965, pp. 276-278.